Franki Goodwin - +44 (0)7967 756 002

Franki Say Relax!

Hello blog followers. (I KNOW! I didn’t think I had any either until this came up on my Google Alerts with a startling number of re-posts and shamed me into updating it!)

And no better time to do so since I have just been up to my former college (both as student and lecturer) Glasgow School of Art with the D&AD Education Resource to talk to their Scottish University Networks on “How to Answer a Brief” and to perform some rocket, sorry, portfolio surgery.

So… there’s obviously no formula to solving a design problem – everyone has their personal methods for creativity and finding inspiration so my talk was not particularly didactic. I do, however, think there are fundamental disciplines that make the process of answering student competition briefs more valuable to a student portfolio and the rhythm of the 4th year generally, not to mention some obvious stuff I wish I’d known earlier in My Life in Graphics. Here’s a bit of a summary .

Mood Boards

I talked about my own personal obsession with the mood board (I can barely get through the day without creating one for something, honestly). I have got to the point where I can work up poster routes only with visual references and existing film assets – too much free pitching in the world of cinema has demanded shortcuts of me but these have led to development of methods I now apply to all problems and briefs. I even did one for the talk. (The shark is in there simply cos I am SO into sharks at the moment.. the rest can be figured out.)

Reading the Bumph

I know it’s obvious but reading a brief properly and looking for the right hooks in a competition brief to suit your work is very important for students who actually get to choose the projects they do. If the concept is built into the brief and you are looking to develop your own, don’t shoehorn it. Read between the lines and read and re-read the deliverables so you know exactly what you are signing up for!

Getting out and about

This section wasn’t just an excuse to be photographed next to a big slide that said “Graphic Design is Not Interesting” at an event sponsored by the D&AD but also because it is so very important to get away from the computer and not to just reference stuff on the web or in design books. There is a whole world out there kids.. get out there.. walk from A to B and say “on the way I will solve THIS problem”. Look around you. Graphic Design is not (THAT) interesting.

Sharing ideas (plural!)

As a wise Japanese creative once said to me; “Brainstorms are good but the people in them have to have brains.” and the beauty of being a design student is that you exist in a bubble of new talent and fresh ideas. Students sometimes make the terrible mistake of not making use of the roots of their generation of the industry – their classmates. Sharing ideas is important for feedback, quality control, realisation, proofing, sanity checking… the list goes on and on. Talk to your friends, the brains in your life, and listen to what they have to say.

Come up with a great idea. Then try to break it. Then come up with another one. And another one. And be critical. An old mentor of mine once joked; “There is nothing more wonderful than the time between having a REALLY good idea and realising it’s not going to work”. If there is a hole in your concept for god’s sake don’t ignore it. Learning to pursue ideas long enough to work out if they will work but not so long that you waste time on the “also-rans” is a massive part of being a good, efficient problem solver.

The obligatory “me and my ideas” section…

Some of my most high-concept and successful pieces of work have been because the brief was very open and the task far reaching. In the cases of Hotel (pictured above, details of which have been more eloquently blogged here by my esteemed business partner Jonny Green), The Magic Flute and The Assassination of Richard Nixon were all elaborate stories with multiple content pieces. We devised simple conceptual structures (Daily entries / Graphic Timeline / Music Score) to hold things together and to give us some much needed rules to obey. I wanted to stress the dangers of the TOO open brief and the need for discipline in even the most liberal communication challenges.

To follow this I felt it was important to juxtapose these vast visual projects with how much you can achieve in a single frame/image. A very detailed brief, with numerous requirements and visual references, being boiled down to a single marque or image is in many ways a harder task. I spoke about Minor Hour Films – one of the best briefs we have ever had (“I want Tim Burton meets Art Deco with a Japanese feel”), West End Films – where we wrote the story for the brand as part of the brief to great success and my favourite film poster EVER for “I’m Not There” where we listened to Bob Dylan on repeat for weeks and solved the problem of how to fit 4 Bobs into one poster with a bit of help from Warhol and Mondrian.

Thanks for popping in…

I ended with reference the D&AD’s very intelligent policy of having a student category that scoops up entries that have gone way off brief but had creative merit anyway (a student of the year was selected from this group in 2009).

I feel very strongly that a student’s time at Art School is their own. I was never taught by ticking boxes on set-briefs – the projects I chose to develop were my own. Answering competition briefs is a great discipline as it forces finished pieces at a crucial time in the final year BUT being at Art School is a one off experience and (paying) students have the right to let their work flow and develop without being too restricted by briefs or deadlines should they have pushed things in interesting and innovative directions. So if all else fails post rationalise! Write your own problems and tell the stories you want to tell – there’s plenty of time for all that clienty-stuff afterwards!

Mademoiselle London Numéro 01

Photos below. Available to buy worldwide now! Click here

Mademoiselle London

Apologies for the quietness of this blog recently. I have been channelling my efforts in to my Parisian poetry project “Mademoiselle London”. We are producing a book and when it’s finished I will come back here and give my blog some love. In the meantime the site is here: www.mademoisellelondon.fr or join us on Facebook or Twitter

Cafe Pt. Trois

Definitely punching above his weight

L’histoire de Deux Portables

Once upon a time this little Lapinette Chaude had 2 mobile phones…

One was really swanky. It could tell the weather, sing, dance and count to a thousand. It cost a lot of money and was designed by a Knight of the Realm.

The other had horrible green edging and you had to press the 7 key 4 times just to get an S. It could, however, do something that Franki was finding very, very hard…


It could speak French. And every day it was gently mocking her.

Franki used to want to be like the iPhone, all shiny and clever and modern. Then she moved to Paris and didn’t care about any of that anymore. She just wanted to be able to do what her €19, piece of shit, pay-as-you-go Vicatel mobile (and every other man on the street) could do and was finding it all quite humbling.

Then she went out, got drunk and lost them both. And that was the end of that feeble little allegory.

How Others See Us

The ‘Angleterre’ section of my local Carrefour’s ‘World Food’ aisle (from top to bottom):
Robinson’s Barley Water (Orange & Lemon)
Polos (seriously)
Heinz Baked Beans
Heinz Tomato Soup
Heinz Tinned Macaroni Cheese
Bird’s Custard
Dr Pepper (not sure what happened there)
Jacob’s Cream Crackers
Hula Hoops (not clear what flavour as these had sold out)
Cadbury’s Chocolate Buttons
Walkers Shortbread (erm.. close. ‘Ecosse’ is a hard concept, someone asked me recently if it was in Germany)
Hellman’s Mayonnaise
Tray Bento’s Steak and Kidney Pudding (in a tin)
Green’s Apple Crumble Mix
Lemon Curd (brand inconnu)
HomePride Shepherd’s Pie Mix
Carr’s Water Biscuits
Colman’s Mustard
Colman’s Mint Sauce
Crosse & Blackwell Picalilli
Crosse & Blackwell Branston Pickle
Heinz Salad Cream
Bisto (Original Flavour)
PG Tips
Lime Marmalade (brand inconnu)
Orange Marmalade (brand inconnu)
Cadbury’s Dairy Milk bars
Cadbury’s Dairy Milk spread

Pretty comprehensive really.

Ma femme d’affiche

I love her.

This one was lying around

Kiosk (le or la.. je m’en fou!)

Du Lazy Blogging

Mais je l’adore

Hello

I'm Franki Goodwin, Creative Director at Saatchi&Saatchi London and Executive Producer at Western Edge Pictures. Please feel to have a good old root around my work below. Some of it has won lots of awards. Some of it hasn't, but I'm proud of every single one of these projects. Thanks for visiting, say hi at franki@frankigoodwin.com